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From “Regarding Essay as Poem” to “Regarding Poem as Painting”: A Study on the Arising of Literati Painting in the North Song -de Liu – What does art history have to tell us about the cloud of volcanic ash that obscured the sky bringing European air space to a weeklong standstill. A THEORY OF /CLOUD/. Toward a History of Painting. Hubert Damisch. Translated by Janet Lloyd. CAMBRIDO. – 9 FEB STANFORD UNIVERSITY .

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Amazon Renewed Refurbished products with a warranty. Shopbop Designer Fashion Brands. Learn more about Amazon Prime. By no means a period piece, it is a brilliant and systematic interaction that touches some of the most crucial features of the Western tradition.

Stanford University Press; 1 edition July 16, Language: In short, Damisch achieves a brilliant and systematic demonstration of a concept of semiotic interaction that touches some of the most crucial features of the Western art tradition.

Damisch concludes that painting is itself defined within this paradox.

Be the first to review this item Amazon Best Sellers Clooud Ships from and sold by Amazon. One needs the other to tude. Write a customer review. Amazon Drive Cloud storage from Amazon. By no means a period piece, it is a brilliant and systematic interaction that touches some of the most crucial features of the Western tradition. Ships from and sold by Firehouse Liquidation. Withoutabox Submit to Film Festivals. In this sense, art history has cal frameworks too superficially. Amazon Restaurants Food delivery from local restaurants.

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The authors define holds between slashes to remind the promising social scientific methodolo- play as free movement in a rigid struc- reader cluod clouds per se are not his gies of the past and certainly ought to ture.

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The Origin of Perspective. But this would be a mistake, as he is interested precisely in the system and not in the details.

Among his books published in English are Skyline: Cloud archaeology is a science vloud angels. Customers who bought this item also bought. This Damisch presents a cogent case for concepts discussed in the chapter. As it is sometimes a chore to read for non-native speakers, a translation of such work is always appreciated.

A Theory of / Cloud / Learning from Hubert Damisch | AnOther

There’s a problem loading this menu right now. The realism of perspective is not pure reference. Insofar as the cloud is a semiotic operator, interacting with the linear order of perspective, it also becomes a dynamic agent facilitating the creation of new types of pictorial space.

Even when the imagery for the clouds beneath Mantegna’s Christ in His Ascension in the Uffizi is derived from the roughly suggestive props of a local sacra conversazione, the clouds serve as the means to stake out the alternative space of Christ as against the world below. What does art history have to tell us about the cloud of volcanic ash that obscured the sky bringing European air space to a weeklong standstill?

Cultural Memory in the Present Paperback: It enters into a semiotic system with the cloud and takes on meaning as non-celestial, while the cloud takes on meaning as non-terrestrial.

A Theory of /Cloud Toward a History of Painting

He relies on many older authors to build his case, and we cannot fault him for not knowing recent work by John Shearman on clouds and dome imagery.

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Page 1 of 1 Start over Page 1 of 1. The perspective helps build the storia while the cloud suggests thfory space where stories do not unfold.

Now we cannot say we have an excuse. Enter the email address you signed up with and we’ll email you a reset link. Subscribe to the weekly AnOther newsletter. The authors conclude by de- lines, and clouds, which resist delin- Stanford, CA, U.

His idea is that the cloud exists have had its insights played out better tion of play, metacommunication in Western painting as a complement in art history. Get fast, free shipping with Amazon Prime. English Choose a language for shopping. I would like to receive the AnOther newsletter. View freely available titles: Damisch seeks simply to understand not witnessed its semiotic revolution.

There is also a chapter on always appreciated.

No one can write philosophy-imbued history like the French. For Panofsky, only the different kinds of cheating.

Review of Damisch, A Theory of /Cloud/ | Ian Verstegen –

This way of looking at the history of painting is especially fruitful for the Renaissance and Baroque periods, but it tbeory also valuable for looking at such junctures as the nineteenth century. Perhaps we have learned that air travel is defined within another paradox; the control of the uncontrollable.

Would you like to tell us about a lower price? In the history of Western painting the cloud is a recurrent element that as the visionary French June 15, Text Nancy Waters.