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: Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books. Check out Kent Kennan: Sonata for Trumpet and Piano: II. Rather Slowly and With Freedom by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas.

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This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden University of Maryland, The main theme of this movement is written three times in a row, the first centered around E-flat Dearden You are commenting using your WordPress.

All of the themes from the exposition are written in the recapitulation Dearden The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden Notify me of new comments via email.

The material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden This made the piece much easier to perform McNamara McNamara, Anne Kovarik In the following measure, the three pitches begin with a leap down by a perfect fifth, then a whole step Dearden It is also significantly shorter Dearden The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden Email required Address never made public.


This melody has some occurrences of the main motive that begins the first movement: Fill in your details below or click an icon to log in: The piece ends with a trumpet fanfare in E-flat Dearden All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three voices are not being played Dearden The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden Works Cited Dearden, Jennifer Lorien The secondary theme is lyrical, with no fanfares, and in minor Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden University of North Texas, Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor.

The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden The fanfare leads into sonaha slurred motive that is mostly comprised of eighth notes Dearden The development begins after a short transition from the exposition Dearden tgumpet You are commenting using your Facebook account.


The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden By continuing to use this website, you agree to their use.

This piece is difficult in sonatw ways. The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden Leave a Reply Cancel reply Enter your comment here It is also the only theme that stays centered around a tonic in the entire movement Dearden The rest of this movement is based largely around this main theme Dearden trumlet The third theme is a chorale in G that begins in minor and ends in major Dearden Most of it is an exact restatement of the exposition, but transposed up a half step Dearden This movement also has a short closing theme Dearden The American Trumpet Sonata in the s: The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden