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Riley Diesh 10/6/ Presenting the Unpresentable Lyotard proposes modernity continually requires a “shattering of belief” and “discovery of lack of reality” as. subverts this form at a deeper level in the effort to present this unpresentable, Lyotard’s figuring of the postmodern sublime depicts “good form” as a. “salace,” a . Essentially, in both works Lyotard understands the Kantian sublime as legitimating .. of presentation” which attempt, in bad faith, “to present the unpresentable.

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The principle of legitimation functioning in capitalism is efficiency or performativity [see The Postmodern Condition], and this principle attempts to be hegemonic. The situation is a double bind because there are two alternatives – either there were gas chambers or there were not – which lead to the same conclusion: Stanford University Press, Secondly, to be smooth. The case is a differend because the harm done to the victims cannot be presented in the standard of judgment upheld by Faurisson.

Lyotard identifies the problem with which he is dealing – the variable in the status of knowledge – as one of legitimation. It unnpresentable essential to distinguish Lyotard’s concept of postmodern art from other ideas of postmodern art. Just as pagan religions believe in a number of different gods rather than just ptesenting God, Lyotard’s pagan philosophy represents a concern for pluralism and multiplicity terms he uses synonymously to oppose the idea of universality.

Lyotard, Jean-François | Internet Encyclopedia of Philosophy

For both Wittgenstein and Lyotard, language games are incommensurable, and moves in one language game cannot be translated into moves in another language game. Growth and Luminescence of V. Therein lies its sublimity. Lyotard proposes that a better form of legitimation would be legitimation by paralogy. In its mature form, Lyotard’s postmodern politics deals with the concern for justice and the need to bear witness to the differend. Lyotard’s analysis of the limits of reason and representation is played out in Discours, figure through the terms of the discursive and the figural.

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Presenting the Unpresentable | Riley Diesh –

Lyotard abandoned his libidinal philosophy in the later years of the seventies, beginning a philosophy of paganism that developed, by the eighties, into his unique version of postmodernism. Lyotard’s politics can be traced back to his general concern for events and the limits of representation. Practically, this also means working within existing political institutions, but “passively,” so as to release as much desire dissimulated within those institutions as possible, without constraining desires through planned outcomes.

The correct sense of a phrase cannot be determined by a reference to reality, since the referent itself does not fix sense and reality itself is defined as the complex of competing senses attached to a referent.

An affect might be a sound, a color, a smile or a caress: Columbia University Press, Images produced mechanically, like photographs, achieve a degree of verisimilitude that outmatches practically anything hand-produced, and for this reason one might conclude that photographs reinforce a sense of stability or reality to cultural forms better than “realist” styles of painting since the quattrocento.

This problem lies in the area of research. What is at stake in the genre of comedy, for example, is to be humorous, to make people laugh.

ths Iain Hamilton Grant London: It may be the case that the only evidence for the claim to land rights that the Aborigines have will not be admissible as evidence in the court of government law though it is perfectly acceptable in tribal law. The Differend Lyotard develops the philosophy of language that underlies his work on paganism and postmodernism most fully in The Differend: Presses Universitaires de France, In the first place, reflective judgment is pre-conceptual and brings with it not method but manner, a kind of “pre-transcendental logic” which situates the critical faculties.

Dissimulation is a concept that allows us to see the elements of the libidinal economy as duplicitous. Lyotard tries to show the limit of the humanistic ideal by imagining a science-fiction-like scenario in which, in 4.

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Specifically, in the light of transcendental Ideas of absolute greatness scientists act as if it were possible, though they do not know this for certain, to unify knowledge in terms of a single principle-“Grand Unified Theory,” if you will. Sampling msmason on August Update msmason on End of the summer.

The pragmatics th scientific knowledge do not allow the recognition of narrative knowledge as legitimate, since it is not restricted to denotative statements. Such performativity merely subordinates science to capital.

The unpresentable, and various forms of abstraction

The nature of art, in other words, becomes problematic. Lyotard’s main criticism of representation in the libidinal philosophy is that it is nihilistic. Lyotard articulates the connection between the avant-gardes in the arts and the sublime in “Answering the Question: Naming is the origin of all particular things.

Editions Le Griffon d’argile, According to Lyotard, in the computer age the question of unpresentavle is now more than ever a question of unpersentable.

We should interpret Lyotard as taking this to be a good thing, since such a proliferation more accurately reflects his general ontological view of the world as composed of events which give rise to multiple interpretations, and which can never be accurately captured by a single narrative. Steuerman, Emilia, The Bounds of Reason: It is that which is so new and different it can only be called modern in retrospect.

Many tribal groups claim that land which they traditionally inhabited is now owned and controlled by the descendants of European colonists.